Showing posts with label screenwriting. Show all posts
Showing posts with label screenwriting. Show all posts

Tuesday, October 20, 2020

Framing Media #4 - Hayley O'Malley on Kathleen Collins Beyond Losing Ground


Today's episode features Hayley O'Malley, a Mellon postdoctoral fellow for the Black Arts Archive Sawyer Seminar at Northwestern University, who researches black women’s art and activism. We discuss her article, "Art on Her Mind: The Making of Kathleen Collins's Cinema of Interiority,” published in Black Camera. O'Malley looks across the broad spectrum of work, much of it unpublished, by the director of Losing Ground to find an artist continually using a subjective voice to define identity beyond the grounds of race and gender. Searching through her archives, she argues for a broader understanding of Collins as a writer in search of authentic experiences and attempting to tell personal stories without necessarily falling simply into autobiography. The research thus demonstrates a better understanding of this recently rediscovered filmmaker not just as a curios side note for film history, but perhaps a defining thinker and writer who influenced a number of writers, directors, and other artists in ways we might not realize.

Sunday, July 24, 2016

Episode #82 - James Schamus (The Tall T)

 


"When adapting, the fundamentals you are left with are the words and gestures and actions and interactions of characters."

How does one reconcile the ideas of artistry in cinema, the kind of magic of cinephilia that we see each time we look up at the screen, with the business practices that often painted as limiting it? James Schamus has somehow made a career of toeing this (likely constructed) dichotomy, helping produce some of the early independent films of the 1990s before becoming the co-founder of Focus Features, which made films like The Pianist, Atonement, Brokeback Mountain, and Moonrise Kingdom, as well as a collaborator of Ang Lee, writing the screenplays for The Ice Storm, Ride With The Devil, and Crouching Tiger, Hidden Dragon. James discusses this work between the politics of making art for specialty audiences, as well as his interest in the very nature of art through his work as a theorist and professor at Columbia University. They then turn to his directorial debut, an adaptation of Philip Roth's Indignation, and what it means to modulate performance. Finally, the two discuss Budd Boetticher's 1957 hostage western The Tall T, and what a specialty art house producer can learn from watching Randolph Scott contemplate existence in this low budget western.

0:00-3:57 Opening
5:08-17:11 Establishing Shots — 4 Years of The Cinephiliacs
17:56-1:06:20 Deep Focus — James Schamus
1:07:21-1:11:32 Sponsorship Section
1:12:33-1:22:44 Double Exposure — The Tall T (Budd Boetticher)
1:22:50-1:27:00 Close // Outtake