Showing posts with label charles burnett. Show all posts
Showing posts with label charles burnett. Show all posts

Tuesday, October 20, 2020

Framing Media #4 - Hayley O'Malley on Kathleen Collins Beyond Losing Ground


Today's episode features Hayley O'Malley, a Mellon postdoctoral fellow for the Black Arts Archive Sawyer Seminar at Northwestern University, who researches black women’s art and activism. We discuss her article, "Art on Her Mind: The Making of Kathleen Collins's Cinema of Interiority,” published in Black Camera. O'Malley looks across the broad spectrum of work, much of it unpublished, by the director of Losing Ground to find an artist continually using a subjective voice to define identity beyond the grounds of race and gender. Searching through her archives, she argues for a broader understanding of Collins as a writer in search of authentic experiences and attempting to tell personal stories without necessarily falling simply into autobiography. The research thus demonstrates a better understanding of this recently rediscovered filmmaker not just as a curios side note for film history, but perhaps a defining thinker and writer who influenced a number of writers, directors, and other artists in ways we might not realize.

Wednesday, September 12, 2018

Episode #108 - James Naremore (A Cottage on Dartmoor)


"My cinephilia began with directors, and I still defend that old fashioned way of working."

When Peter first began studying criticism, one person seemed to have the aspirational career he wanted: James Naremore. Not only was he able to teach the history of cinema, but he had written some of the most influential books on Orson Welles, screen acting, and film noir. Now Professor Emeritus at Indiana University, Bloomington, Naremore continues to write and research while still blending a line between film criticism and film academia, but always with a rigor and appreciation that makes him entirely unique. James sits down with Peter to talk about going from English literature to film studies, to his appreciation of classical criticism, and the politics of writing a study of Charles Burnett. Finally, they talk about a rarity that few have seen: the 1929 British silent film A Cottage on Dartmoor, which represents one of the great "last breaths of silent techniques" before sound would change filmmaking, which even gets its own strange cameo in the movie!

0:00-4:10  Opening
5:12-11:34 Establishing Shots — Edmond O'Brien The Noirish Chameleon
12:18-49:18 Deep Focus — James Naremore
49:54-54:04  Sponsorship Section
54:47-1:08:48 Double Exposure — A Cottage on Dartmoor (Anthony Asquish)
1:08:53-1:10:31 Close 

Sunday, July 9, 2017

Episode #94 - Manohla Dargis (Killer of Sheep)



"I think you have to pay attention to the object. You have to pay attention to what's in front of your eyes really clearly."

Before anything else, films are objects that present a sensorial experience. To understand how they function—as industrial products, as societal mirrors, as ideological machines—we must understand how they interact with our minds and make us think. For the five year anniversary of The Cinephiliacs, Manohla Dargis joins the cast to talk exactly that. The New York Times critic discusses her childhood movie love of watching objects without inhibition and her writing as a form of translating the way of watching films. She also chats about the past and future of the Times, and how the institutional changes have affected the practice of criticism in a digital age. Finally, Manohla and Peter examine Charles Burnett's independent masterpiece Killer of Sheep, examining how the filmmaker's stark portrayal of impoverished black life resonates to today through poetic realism. Plus, a brief chat with James N. Kienitz Wilkins and Robin Schavoir, whose new film, The Republic, is currently streaming on MUBI.

0:00-3:09 Opening
4:23-14:00 Establishing Shots — Five Years of The Cinephiliacs
14:46-47:15 Deep Focus — Manohla Dargis
48:28-1:07:42 Sponsorship Section — An Interview with The Republic team, James N. Kienitz Wilkins and Robin Schavoir
1:09:00-1:23:28 Double Exposure — Killer of Sheep (Charles Burnett)
1:23:32-1:28:38 Close / Outtake