"Our aim for a lot of preservation—the standard goal—is to make it look
how it was seen before."
0:00-3:07 Opening
4:12-12:24 Establish Shots — Frederick Wiseman's Ex Libris
13:10-48:50 Deep Focus — Laua Major
50:34-53:18 Sponsorship Section
54:48-1:10:57 Double Exposure — Heaven Can Wait (Warren Beatty)
1:11:20-1:14:09 Close / Outtake
Notes and Links from the Conversation
—Check out Colorlab and Follow Laura on Twitter
—Read an Interview with Laura on Indiewire, and read a history of Colorlab done by the Washington Post
Watch a conversation between Frederick Wiseman and Danny Kasman on MUBI
—Dan Streible
—The Orphans Film Symposium
—The Robert Flaherty Film Seminar
—Read a new book about the history of the seminar
—Learn about USC's Moving Image Research Collection
—Learn about the Telecine process
—Moving Images at the National Archives and Records Administration
—Learn about the National Film Preservation Board
—Glossaries for Audiovisual
—Keanu Reeves's Side By Side
—Laura on restoring Jack Smith
—Colorlab's Kodak Seminar
—Watch the Archer episode that parodies Heaven Can Wait
—Read an Interview with Laura on Indiewire, and read a history of Colorlab done by the Washington Post
Watch a conversation between Frederick Wiseman and Danny Kasman on MUBI
—Dan Streible
—The Orphans Film Symposium
—The Robert Flaherty Film Seminar
—Read a new book about the history of the seminar
—Learn about USC's Moving Image Research Collection
—Learn about the Telecine process
—Moving Images at the National Archives and Records Administration
—Learn about the National Film Preservation Board
—Glossaries for Audiovisual
—Keanu Reeves's Side By Side
—Laura on restoring Jack Smith
—Colorlab's Kodak Seminar
—Watch the Archer episode that parodies Heaven Can Wait
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