"I like to write and study things that are less known."
You've probably seen Citizen Kane, but have you seen its Swedish lesbian equivalent made in the 1950s? Chances are you haven't even heard of it, nor the filmmaker behind it—Hasse Ekman. But for cinephile Fredrik Gustafsson, Ekman's ingenious and playful films represent some of the best of cinema, and he made it his mission to make them known through his new book, The Man from the Third Row. Hasse Ekman, Swedish Cinema and the Long Shadow of Ingmar Bergman. In the first episode of The Cinephiliacs Global Initiative, Fredrik joins the podcast from Stockholm to discuss his discovery of cinematic loves, his work and research at the Swedish Film Institute, and the many twisting and interesting narratives surrounding Ekman's varied career. Finally, the two look at a much too often neglected period of cinema—Britain in the postwar years—and examine the many cinematic devices David Lean uses to turn his Dickens adaptation of Great Expectations into a blissfully quixotic work of art.
7:22-13:10 Establishing Shots — 20th Century Women and Julieta
13:55-1:03:46 Deep Focus — Fredrik Gustafsson1:04:33-1:06:59 Sponsorship Section
1:08:21-1:27:17 Double Exposure — Great Expectations (David Lean)
1:27:22-1:29:00 Close
