Thursday, May 4, 2017

This American Life — Remembering Jonathan Demme



Jonathan Demme began his film career 50 years ago while working for Joseph Levine's production company in 1967, carving a path that resembled no other director in American film. His narrative films ranged from the grindhouse to Oscar prestige pictures to indies and more. Beyond fiction, he made documentaries about musicians and politics, music videos for the coolest bands, and a number of television episodes that gave life to the so-called writer's medium. While the word humanist gets thrown around carelessly, Demme deserved that term for the worlds his films enveloped and the generosity he showed each and every character while often creating an implied utopian vision of diversity. This special episode mourns the death of one of the great directors, as Peter invites on Jake Mulligan and Willow Maclay to discuss the multifaceted career of a director destined to cement a place in the canon. Plus, we revisit that oft-discussed director with three Double Exposure discussions with former guests. 

0:00-4:12 Opening 
4:12-43:27 Discussion with Jake Mulligan and Willow Maclay
44:34-47:26 Sponsorship Section
48:41-1:04:20 Beloved with Stephen Cone
1:05:21-1:28:18 The Truth About Charlie with Keith Uhlich
1:29:27-1:52:13 Stop Making Sense with Tim Grierson
1:52:40-1:22:02 Close

Notes and Links from the Conversation
—Follow our guests on Twitter: Jake Mulligan, Willow Maclay, Stephen Cone, Keith Uhlich, and Tim Grierson
—Jake Mulligan on Ricki and the Flash
—Stephen Cone's remembrance of Demme
—Keith Uhlich's remembrance of Demme and his Great Directors essay
—Tim Grierson on Rachel Getting Married and his concert documentaries
—Dave Kehr's article "Four Auteurs in Search of an Audience B+" appears in Film Comment, 13.5 (Sep/Oct 1977): 6-15, 64.
Film Comment's Demme interview appears in the January 1991 interview
—Ignatiy Vishnevetsky discusses the revolutionary logo used by Demme.
—The trailer for Demme's Cousin Bobby
—Ty Burr on Ricki and the Flash
—Pauline Kael on Something Wild

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