Showing posts with label representation. Show all posts
Showing posts with label representation. Show all posts

Wednesday, July 31, 2019

Episode #117 - Justin Chang (Flowers of Shanghai)


"I very much believe in having a very Catholic sensibility of writing about everything."

Being the metropolitan area newspaper's film critic has its set of burdens and responsibilities to a number of diverse audiences, but for Justin Chang, those challenges are multiplied by the the odd nature of Los Angeles as the movie capital of the  world. In this final episode from the City  of Angels as Peter says adios to the city he's called home for the last five years, he sits down with the former Variety and current Los Angeles Times critic to explore how to look and consider the industry and the various entanglements that expand out from it. Justin explains his growth from intern to critic within the city's oldest trade publication to the issues of representation and politics within Hollywood today. The two cap off their conversation by looking at Hou Hsiao-Hsien's strange and hypnotic Flowers of Shanghai, looking at how the director lays clues throughout to explore a 19th century brothel wrapped into a romantic mystery.

0:00–3:11 Opening
3:51–11:39 Establishing Shots — Celebrating Seven Years of The Cinephiliacs
12:24–1:04:31 Deep Focus — Justin Chang
1:05:28–1:09:15 Sponsorship Section
1:10:27–1:28:49 Double Exposure — Flowers of Shanghai (Hou Hsiao-Hsien)
1:29:02–1:31:29 Close / Outtake

Thursday, July 19, 2018

Episode #106 - Janet Staiger (Zombieland)


"I see both my work as an attempt to understand how history works and how people experience and live, and how they can live better lives as critical consumers of media."

What does it mean to study the means of production? Is one deconstructing the way an industry might operate, its cultural and political signification, or is simply one reproducing an apologia for capitalism itself? In a lively and spirited conversation, Peter explores these questions with one of his all-time academic heroes, Janet Staiger. The author of Interpreting Films, Perverse Spectators, and co-author of The Classical Hollywood Cinema examines the various political undertones that have always peppered her work, and where the future of media studies can go in today's political age, whether it be studying the way images are made or the way they are received. But there's also a lot of fun to be had, including the unique connections between Zombieland, a recent "romantic comedy" that just happens to feature blood and gore, and a certain 2017 film of fashionable elegance. Plus, Peter recaps his recent trip to Il Cinema Ritrovato with Welsh critic Christopher Small, where the two debate whether the films or the gelato stood out more.

0:00-4:00  Opening
4:58-29:48 Establishing Shots — Il Cinema Ritrovato with Christopher Small
30:33-1:05:47 Deep Focus — Janet Staiger
1:06:45-1:11:40  Sponsorship Section
1:13:06-1:26:35 Double Exposure — Zombieland (Ruben Fleischer)
1:26:39-1:28:18 Close

Wednesday, June 27, 2018

Episode #105 - Kristen Warner (Magic Mike XXL)



"There's a difference between representation mattering and the way we often decide that it matters, which is through the visual imagery."

While hardly a new problem in the media landscape, issues of representation both in front and behind screen have reached new peaks in the cultural discourse through campaigns like #OscarsSoWhite. But what does the path forward look like? Kristen Warner, a scholar of media industries, brings her unique research to the podcast to look at issues of colorblind casting and what she calls "plastic representation." Kristen and Peter look at a number of televisual milieus in which representational politics play out on our screens, and Kristen challenges a lot of issues to ask when real authentic people of color actually appear. Finally, the two discuss Magic Mike XXL, one of the most unique films of the last decade and a rare site where people of color have been in some way given their space. Kristen explains how a film with a white director and almost all-white cast somehow envisions a utopic vision of diverse American culture.

0:00-4:16  Opening
5:48-11:46 Establishing Shots — Bill Hader and Barry
12:32-48:40 Deep Focus — Kristen Warner
49:39-52:28  Sponsorship Section
53:40-1:06:08 Double Exposure — Magic Mike XXL (Gregory Jacobs)
1:06:49-1:08:41 Close