Showing posts with label paul verhoeven. Show all posts
Showing posts with label paul verhoeven. Show all posts

Wednesday, November 21, 2018

Episode #110 - Daniel Goldhaber (Showgirls)



"For me, it's about finding ideas that are exciting and translating them in a bigger way."

The fine line between art and pornography is as old as visual culture itself, but only recently have those within the industry crafted their narratives for large scale audiences by avoiding the old hat critiques often placed on the profession. Cam, a new horror thriller financed by Blumhouse and made by the creative duo of Isa Mazzei and Daniel Goldhaber, does exactly that by following a cam girl as she fights to reclaim her identity. Dan sits down in this long ranging interview to discuss his creative apprenticeships on documentaries and the lessons he learned from Harvard, the work he and Isa did crafting pornography that thought seriously about aesthetics, and the creative workarounds necessary to make a good film about screen life. Finally, the two talk about Showgirls, a tricky film that nonetheless influenced Cam—Peter and Dan examine how and where the film takes these burlesque dancers seriously, and how the film straddles its campy existence. Plus, Carman Tse joins the show to talk about a few restorations that played the recent AFI Film Festival.

0:00-3:10  Opening
4:13-27:48 Establishing Shots — Repertory Talk at AFI Fest with Carman Tsse
28:33-1:36:45 Deep Focus — Daniel Goldhaber
1:38:00-1:42:00  Sponsorship Section
1:43:08-1:58:40 Double Exposure — Showgirls (Paul Vehoven)
1:58:48-2:00:37 Close / Outtake

Sunday, June 29, 2014

Episode #41 - Adam Nayman (All Is Forgiven)



"I try and keep my notes of doubt and discord when trying to build my response."

In a continent dominated by American cinema, it can be easy to forget how essential Toronto is for cinephilia: home of the famed film festival, base of the idiosyncratic magazine Cinema Scope, and the city where critic Adam Nayman has been writing and teaching. Nayman's latest writing opus is It Doesn't Suck, a fantastic book tracing the evolution of Paul Verhoeven's Showgirls from bomb to camp to cult to classic. Peter sits down with Adam to discuss the book, as well as his work for publications like Scope and Reverse Shot, his view of Canadian cinema, and much more. Finally, the two examine the first film from Mia Hansen-Love, All Is Forgiven, and how a film with seemingly little ambition can contain a great depth of feeling. 

0:00-1:17 Opening 
2:13-7:40 Establishing Shots - Blind Detective / Donations and Reviews
8:25-59:00 Deep Focus - Adam Nayman
59:44-1:09:09 It Doesn't Suck
1:21:24-1:41:35 Double Exposure - All Is Forgiven (Mia Hansen-Love)
1:41:42-1:43:32 Close / Outtake

Read Adam Nayman at Cinema-Scope, The Globe and The Mail, and Reverse Shot.
Buy It Doesn't Suck.
Follow Adam on Twitter.