"There's a lot of contextual information at film festivals that's really interesting...festivals are so often a tool for someone in power."
What does cinephilia look like when your local theaters are not filled with Hollywood's spectacle driven blockbusters, but films that feature action, romance, and musical numbers all at the same time? And how does that change the way you look at art cinema or festivals in general? Mumbai film critic Laya Maheshwari has thought about his own views for much of his career, and now shares those experiences with Peter. From the international travel to festivals both in Europe and elsewhere (including North Korea), to the continually evolving industry of Bollywood, Laya provides insights that are often missed from the perspective of the West, and grapples with what it means to be both a cinephile and yet often turn to only writing about what occurs locally. The two top it off with a look at one of the all time (no country specification needed) great films: Sholay. How did this masala film become the defining phenomenon as it has?
3:46-9:36 Establishing Shots — At Long Last Love
10:22-1:14:40 Deep Focus — Laya Maheshwari1:15:29-1:17:28 Sponsorship Section
1:18:30-1:42:20 Double Exposure — Sholay (Ramesh Sippy)
1:42:29-1:44:05 Close
