Episode #87 - Fredrik Gustafsson (Great Expectations)

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"I like to write and study things that are less known."

You've probably seen Citizen Kane, but have you seen its Swedish lesbian equivalent made in the 1950s? Chances are you haven't even heard of it, nor the filmmaker behind it—Hasse Ekman. But for cinephile Fredrik Gustafsson, Ekman's ingenious and playful films represent some of the best of cinema, and he made it his mission to make them known through his new book, The Man from the Third Row. Hasse Ekman, Swedish Cinema and the Long Shadow of Ingmar Bergman. In the first episode of The Cinephiliacs Global Initiative, Fredrik joins the podcast from Stockholm to discuss his discovery of cinematic loves, his work and research at the Swedish Film Institute, and the many twisting and interesting narratives surrounding Ekman's varied career. Finally, the two look at a much too often neglected period of cinema—Britain in the postwar years—and examine the many cinematic devices David Lean uses to turn his Dickens adaptation of Great Expectations into a blissfully quixotic work of art.

0:00-6:07 Opening / The Cinephiliacs Global Initiative

7:22-13:10 Establishing Shots — 20th Century Women and Julieta

13:55-1:03:46 Deep Focus — Fredrik Gustafsson
1:04:33-1:06:59 Sponsorship Section
1:08:21-1:27:17 Double Exposure — Great Expectations (David Lean)
1:27:22-1:29:00 Close 

Episode #66 - Matthew Dessem (The Assassination of Jesse James By The Coward Robert Ford)

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"I find these moments fascinating where a film might have been made but wasn't. I'm more interested in failure than success."

Matthew Dessem spent years observing the behind-the-scenes reality of Hollywood, so it's only natural that his book, The Gag Man, would take us behind the scenes of an essential collaborator to silent and sound comedians who all but disappeared behind the name of the stars. In this latest episode of the podcast, Dessem traces his movie upbringing to his eventual project searching through every piece of the Criterion canon, and eventually to his interest in exploring the legends of Hollywood that never made it, whether a screenplay or a collaboration. The two then go in depth on his new biography of Clyde Bruckman, a man with legendary credits but no legend until now. Finally, the two switch to a different legend, Brad Pitt's turn as the notorious outlaw and Casey Affleck as the man who shot him in The Assassination of Jesse James By The Coward Robert Ford, which both embraces the mythology of the classic American genre, while also exposing it at its most ugly.

0:00-2:24 Opening

3:24-9:51  Establishing Shots - Mistress America
10:36-47:26 Deep Focus - Matthew Dessem

48:35-50:48 Mubi Sponsorship
51:42-1:08:37 Double Exposure - The Assassination of Jesse James By The Coward Robert Ford (Andrew Dominick)

1:08:40-1:10:40 Close / Outtake 

Purchase The Gag Man through The Critical Press or Amazon. Check out Matthew's blog here, as well as his work for Slate and The Dissolve.