"I think it’s important to remember that the majority of art house cinemas in this country are not in Los Angeles or New York, but are in cities and towns of all sizes where it is incredibly valuable for people to have the opportunity to come together and watch media."
If cinema enters what might be its 100th identity crisis since its birth, there is at least a more appropriate question to ask: where will cinema take place? As the first guest of 2020, Peter brings in Art House Convergence director Alison Kozberg to tackle how the art house scene has changed less in Los Angeles and New York but instead transformed cities like Tuscon and Charleston. Alison charts her life as a repertory-goer in the 1990s to learning the tricks of programming for both classic Hollywood and experimental works in places like Minneapolis, Boston, and South Carolina. She then looks at the new challenges—but more so, opportunities—for art houses to engage and create new community spaces. Finally, the two dive back into her teen years to examine Gregg Araki's apocalyptic teenage satire Nowhere, which Alison argues as a rare breakthrough film of the time to openly accept queer identities as normative.
0:00–5:06 Opening
5:52–51:11 Deep Focus — Alison Kozberg
52:28–57:34 Sponsorship Section
58:57–1:17:03 Double Exposure — Nowhere (Gregg Araki)
1:17:28–1:19:21 Close
5:52–51:11 Deep Focus — Alison Kozberg
52:28–57:34 Sponsorship Section
58:57–1:17:03 Double Exposure — Nowhere (Gregg Araki)
1:17:28–1:19:21 Close
